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In the remote outpost of Winden, Germany, in 2019, Jonas Kahnwald (Louis Hofmann), reeling from his father’s suicide and the disappearance of a high-school classmate, embarks on a search for the missing boy and becomes embroiled in a supernatural mystery, one that reaches back to 1986-six months after the Chernobyl disaster-and thence to 1953-when Winden’s own nuclear power plant, slated to go offline in 2020, is under construction.
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The first episode opens with the promise that “everything is connected”-intoned over photographs of the same people at different ages, in different fashions, pinned to the wall of an underground fallout shelter and connected by stretches of twine-and on this, at least, the series keeps its word. Alexis GundersonĮven dashing off a synopsis of Dark, co-created by Baran bo Odar and Jantje Friese, is no simple task. I just hope Netflix keeps creators Carolina Markowicz and Teodoro Poppovic on speed dial-I can’t wait to see what they come up with next. It’s a true shame we won’t get to see where Nobody’s Looking might have taken its funny, thoughtful mystery (there’s a whole thing with hamster wheels and tiny baby angel wings I can’t get into here, but which definitely deserved to be explored further), but it’s still impressive how much story it managed to tell in the eight episodes we got. (Not for nothing, Wanda takes to Uli immediately.) The series’ first (and only) season is short, but it packs a ton in, spinning Uli and his angeli mentors (Júlia Rabello and Danilo de Moura) into genuine existential crises, and giving Uli himself a romantic/heroic arc by sending human do-gooder Miriam (Kéfera Buchmann) crashing into his path. Plus, what exactly it is that 5511° Supervisor Fred (Thor Bishopric) does, and if his second-in-command, Wanda (Telma Souza), is in charge of handing out assignments, filing daily reports, and troubleshooting daily angeli issues. Intractably curious and inherently driven to seek justice, Uli struggles to understand everything from why all the angeli wear ties and if they’re invisible to humans, to why they can’t step in to protect humans they haven’t officially been assigned. As the hero of that investigation, Uli starts making trouble from the moment he steps on Region 5511°’s factory-like floor and accidentally knocks the giant Rules placard to the floor.
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Reimagining Guardian Angels as punctilious office drones clocking in, century after century, to keep us “flammable, brittle and highly perishable” mammals safe from innumerable daily mishaps, the series is most explicitly interested in using comedy to investigate the idea of free will. Starring Victor Lamoglia as Ulisses, the first new Guardian Angel to join the Angelus System for Human Protection in over 300 years, Nobody’s Looking is a kind of PG-13 cross between The Good Place, Better Off Ted and Dead Like Me. Ninguém Tá Olhando (Nobody’s Looking)Īpologies for recommending a mystery-box show that was canceled before it could make good on its big twist ending, but Brazil’s Ninguém Tá Olhando (AKA, Nobody’s Looking) is just too much fun to be consigned to the (ever-deepening) bin of forgotten Netflix Could-Haves. But we’re not snobs-if you want to put on the dubbed version (which Netflix typically defaults to), we’ll only judge you a little bit.īelow are the 15 best international series on Netflix:ġ5. Often, these stories just land better when presented in their original language. There’s just no substitute for the way that Lotte says “gud” in Babylon Berlin, for example. But we at Paste highly encourage you to give the subtitled or captioned versions of these shows a try. Now, we understand that some people do prefer dubbing because it’s just easier-you can do other things and not always look at the screen, and plenty of viewers would prefer not to read their TV.
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then international means, basically, “not that.” For our list of the best international series on Netflix, we’ve also cut out British and Anglo shows to focus specifically on foreign language offerings (you can check out our list of the best British TV shows on Netflix here) because the main thing we’re looking to celebrate below are subtitles, yes, subtitles! “International” is obviously a relative term, but since Paste is based in the U.S.
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